| Help..........OOhh...
OOhh... Yikes & Blimey ,it's May already !!
It's now May 10 th
which means that there are only two more
real weeks left before the first competition
of the season and I haven't even ventured
outside into the scary arena yet. MGB knows
that there are monsters in the top right
hand corner which could eat her if she goes
too close and that the car where the judge
sits and watches really contains even more
scary horse eating dragons. We really do
have to get out there or 25th May will see
us sidelined and writing for the judge (me ,
that is ,not MGB - who obviously can't write
yet.)
Our private lessons are
getting harder and harder in some ways and
easier in others. Easier because the Boss
has stopped speaking in a foreign language (
or because I have learned to interpret him
better) and harder cause he expects more and
more of us.
He always insists that
each horse is a potential Grand Prix horse
and that's how they are trained, regardless
- I try to tell him that's OK for him but it
takes a potential Grand Prix rider as well,
which I am not ! His reply to that statement
is far from polite and so I won't print it
here.
We have started seriously
tackling "shoulder in". I say seriously,
because I discovered the other day that I
have been riding this movement totally
incorrectly for five years which explains
why neither Hayley nor myself are Grand Prix
level.
"Shoulder In" is a
wonderful suppling exercise but it
only works if the shoulders are
displaced properly (and not just the head
and neck) and the horse moves on three
tracks. It does NOT work if the rider merely
bends the horse's neck inwards without
outside leg support because the horse can
then cross his inside foreleg behind the
outside one and fall over, thus loosing
balance. I will give you no prize for
guessing which idiot, not a million miles
from here has been riding neck bends instead
of proper "shoulder-in".
To ride a correct
shoulder in, the horse must be moving
forwards on three tracks and is slightly
bent around the inside leg of the rider. The
horse's foreleg passes and crosses in front
of the outside leg; the horse should look
away from the direction of travel.( S'easy
innit!!)
The shoulder in is
performed usually (but not always) along the
wall at an angle of around 30 degrees to the
direction in which the horse is moving.
To ask for shoulder in,
the rider places the inside leg on the girth
to request the bend and to keep the horse
moving forward and while the inside rein
leads the forehand in from the track and the
outside rein against the horses neck (never
over the neck, it's a horse not a
motorbike!!) controls the degree of the bend
, the impulsion and THE OUTSIDE SHOULDER) .
This exercise is
invaluable for gaining control of the
horse's forehand and is used to some small
degree ,all the time in all the gaits as an
aid to straightening . Even thinking
"shoulder-in" will (apparently) provide the
rider with the aids used for better control.
The only way I could see
this actually happening (when I eventually
"got it" ) was by looking in the mirrors to
witness MGB carefully crossing her legs
whilst walking down the long side like a
little ginger ballerina doing barre exercise
. It was obviously difficult for her because
it takes a fair degree of concentration to
walk like this when you have four legs to
co-ordinate and a mad woman riding you. She
tried her little heart out and we eventually
got it right. (Or at least more right than
the last 400 or so attempts at it) .
I didn't find it to hard
to get the bend to the inside but it
required a lot of outside leg to keep her
outside shoulder from drifting towards the
wall and thereby loosing our three tracks
into four. There is nothing to be gained
from doing "shoulder in" on four tracks
because it is actually just inside neck bend
and not "shoulder in" at all and thank
goodness for me I found THAT out before I
was 44 or I would have done it wrong forever
- probably.
Having got a decent
"shoulder-in" down the wall, The Boss made
me do it down the three quarter markers
which is harder because there is no
supporting wall so we tended to drift a lot
. If " shoulder-in" fails in this way, the
rider should either ride a circle in the
direction of travel or straighten the horse
because there is no benefit to riding this
movement incorrectly.
"Shoulder In" down the
three quarter marker sets a horse up nicely
for two things, I discovered; it prepares
you for a really nice, spot on canter
transition and sets you up for other lateral
movements like half pass where the horse
travels along the diagonal towards the wall
instead of down it
I got really confused
when reading about leg yield, shoulder in,
travers and half pass but to try and make
more sense of these movements (I am
ridiculed regularly for having trouble with
left and right!!) I found that writing them
down helped me enormously and would
recommend that you try it if you are
confused. I have also drawn some pictures
(with the aid of Microsoft !) and I hope
they help a bit. Now I have got the hang of
introducing pictures and photographs, I will
use them more often in my articles. I might
even me able to get you a bit of video of me
and MGB working ,which should give you all a
laugh, if World of Horses has the technology
to get it working on the site !
Leg Yield Down The Three
Quarter Marker from the long end of the
school heading between K and E TOWARDS THE
WALL
Horse is
straight
except for slight bend at the poll
so that the rider can just see the horse's
eyebrow and nostril on the inside.
Horse is looking
AWAY
from the direction of travel.
Horse's
INSIDE legs
pass and cross in front of the
outside legs and horse
MOVES
sideways towards the wall
(in this case)
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