Help..........OOhh... OOhh... Yikes & Blimey ,it's
May already !!
It's now May 10th which means that there
are only two more real weeks left before the first competition of the
season and I haven't even ventured outside into the scary arena yet. MGB
knows that there are monsters in the top right hand corner which could
eat her if she goes too close and that the car where the judge sits and
watches really contains even more scary horse eating dragons. We really
do have to get out there or 25th May will see us sidelined and writing
for the judge (me , that is ,not MGB - who obviously can't write yet.)
Our private lessons are getting harder and harder in
some ways and easier in others. Easier because the Boss has stopped
speaking in a foreign language ( or because I have learned to interpret
him better) and harder cause he expects more and more of us.
He always insists that each horse is a potential
Grand Prix horse and that's how they are trained, regardless - I try to
tell him that's OK for him but it takes a potential Grand Prix rider as
well, which I am not ! His reply to that statement is far from polite
and so I won't print it here.
We have started seriously tackling "shoulder
in". I say seriously, because I discovered the other day that I
have been riding this movement totally incorrectly for five years which
explains why neither Hayley nor myself are Grand Prix level.
"Shoulder In" is a wonderful suppling
exercise but it only works if the shoulders are
displaced properly (and not just the head and neck) and the horse moves
on three tracks. It does NOT work if the rider merely bends the horse's
neck inwards without outside leg support because the horse can then
cross his inside foreleg behind the outside one and fall over, thus
loosing balance. I will give you no prize for guessing which idiot, not
a million miles from here has been riding neck bends instead of proper
"shoulder-in".
To ride a correct shoulder in, the horse must be
moving forwards on three tracks and is slightly bent around the inside
leg of the rider. The horse's foreleg passes and crosses in front of the
outside leg; the horse should look away from the direction of travel.(
S'easy innit!!)
The shoulder in is performed usually (but not always)
along the wall at an angle of around 30 degrees to the direction in
which the horse is moving.
To ask for shoulder in, the rider places the inside
leg on the girth to request the bend and to keep the horse moving
forward and while the inside rein leads the forehand in from the track
and the outside rein against the horses neck (never over the neck, it's
a horse not a motorbike!!) controls the degree of the bend , the
impulsion and THE OUTSIDE SHOULDER) .
This exercise is invaluable for gaining control of
the horse's forehand and is used to some small degree ,all the time in
all the gaits as an aid to straightening . Even thinking
"shoulder-in" will (apparently) provide the rider with the
aids used for better control.
The only way I could see this actually happening
(when I eventually "got it" ) was by looking in the mirrors to
witness MGB carefully crossing her legs whilst walking down the long
side like a little ginger ballerina doing barre exercise . It was
obviously difficult for her because it takes a fair degree of
concentration to walk like this when you have four legs to co-ordinate
and a mad woman riding you. She tried her little heart out and we
eventually got it right. (Or at least more right than the last 400 or so
attempts at it) .
I didn't find it to hard to get the bend to the
inside but it required a lot of outside leg to keep her outside shoulder
from drifting towards the wall and thereby loosing our three tracks into
four. There is nothing to be gained from doing "shoulder in"
on four tracks because it is actually just inside neck bend and not
"shoulder in" at all and thank goodness for me I found THAT
out before I was 44 or I would have done it wrong forever - probably.
Having got a decent "shoulder-in" down the
wall, The Boss made me do it down the three quarter markers which is
harder because there is no supporting wall so we tended to drift a lot .
If " shoulder-in" fails in this way, the rider should either
ride a circle in the direction of travel or straighten the horse because
there is no benefit to riding this movement incorrectly.
"Shoulder In" down the three quarter marker
sets a horse up nicely for two things, I discovered; it prepares you for
a really nice, spot on canter transition and sets you up for other
lateral movements like half pass where the horse travels along the
diagonal towards the wall instead of down it
I got really confused when reading about leg yield,
shoulder in, travers and half pass but to try and make more sense of
these movements (I am ridiculed regularly for having trouble with left
and right!!) I found that writing them down helped me enormously and
would recommend that you try it if you are confused. I have also drawn
some pictures (with the aid of Microsoft !) and I hope they help a bit.
Now I have got the hang of introducing pictures and photographs, I will
use them more often in my articles. I might even me able to get you a
bit of video of me and MGB working ,which should give you all a laugh,
if World of Horses has the technology to get it working on the site !
Leg Yield Down The Three Quarter Marker from the long
end of the school heading between K and E TOWARDS THE WALL
This is the most basic of lateral moves (or so the books say!)
Shoulder In Down The Three Quarter Marker from the
long end of the school after K heading between B and M AWAY FROM THE
WALL:
Horse is bent to the inside at around 30 degrees.
Horse is looking
AWAY
from the direction of travel.
Leg at inside of girth for bend and impulsion,
outside leg behind the girth controlling the back end.
Open inside rein to lead the forehand in from the
track, outside rein against the horse's neck .Outside leg keeps the
shoulders from falling =
out to the wall .(V.Important or you will move on
four tracks and not three)
Horse's
INSIDE
foreleg passes and crosses in front of
outside
leg.
Horse moves on
THREE
tracks looking sideways whilst travelling forwards and
MAINTAINS
the line.
(I think that these two
movements are enough to take in to be going on with so I'll write down
travers and half pass next time when I understand them better !!)
And
Finally................A Rogues Gallery
I just thought that you'd like to meet a few of the
characters on our yard and so over the next few articles I am going to
introduce you to some of them, starting with.....
Feliciano
L (Felix)
Felix belongs to
Small Boss and can be described as essentially an
"oral person" very, very cheeky and highly
opinionated as you can see from the expression on his face.
Felix is an incredibly
handsome Hanoverian gelding and a very talented
Advanced Medium dressage horse, (he could certainly double for Black
Beauty ).
Felix shunned the chance
of living out last summer when he was faced with the prospect of
sharing a field with two chestnut mares.
We turned him loose with
the mares and he decided that the stable was safer than the wide
open spaces.He jumped a five foot gate and brought himself a quarter
of a mile up the road and back to the yard, into his stable.
Who
says all horses are better off living out ??!! - Felix didn't
fancy it - and he didn't fancy the mares either !!